Room Enough, Time Enough
A New Record of folk Songs, Activism & Desert Native Americana
Praise for Room Enough, Time Enough
"His new album, Room Enough Time Enough, officially debuts on February 26th and serves as a bold environmental battle cry…The lyrical poetry of the album also carries the sound higher through its overarching theme of perseverance and preservation.” – American Songwriter
David Huckfelt is a midwestern folksinger who has been involved in the increasingly desperate fight to stop the construction of Line 3, a tar-sands pipeline that would cut across Minnesota. His new single, “Book of Life,” is dedicated to “the Indigenous water protectors standing up and speaking out for Mother Earth all across Turtle Island.” - bill mckibben, the new yorker
Singer-songwriter David Huckfelt likewise celebrates both the joy and the sociopolitical power of art, embracing a belief, as he puts it, “that music should expand the space of the room where you sit, but at the same time, be so powerful that it nails you to the wall.” – No Depression
"Haunted landscapes and spirits are all over the ex-Pines leader’s second solo LP, ... which doesn’t stick to the cowboy myth but adds Indigenous people into the story. Among the guests are various Native American musicians, as on a fascinating cover of Patti Smith’s "Ghost Dance"; A Satisfied Mind is a lovely duet with Greg Brown." - **** (four stars) MOJO MAGAZINE
“With Room Enough, Time Enough, David Huckfelt tells us we can transcend our country’s troubled past if we come together with honesty and a healthy respect for each other and in the process gives us a glorious American masterpiece for our times.” –Americana Highways
“Room Enough, Time Enough illustrates the power of song to speak love to power, to create an atmosphere in which we ponder what it means to be human, and to evoke the power of memory to liberate and to provide hope.” – Folk Alley
"Even the Americana classics like "Bury Me Not on the Lone Prairie" and "Cole Younger" are given new life with horn passages, a blend of electronic and acoustic instruments, and multiple voices. What was once a dry and sparse scrubland now overflows with melody—all driven by Huckfelt's high, smooth voice.” – Tucson Weekly
“For its ambitious scope and inventive cover interpretations, this is an early candidate for one of the top roots music albums of the year.” – Glide Magazine
David Huckfelt's music is both solid and porous on Room Enough Time Enough. It's grounded in musicianship and songcraft, even as it invites the indwelling of spirits, voices across time, space, culture. – Routes and Branches
Check out the premiere of the video for “hidden Made Known” – The Bluegrass Situation
Exclusive Premiere of “Gambler’s Dharma” – Magnet
Stream Room Enough, Time Enough here!
BIO:
David Huckfelt is a singer/ lyricist /folk-activist whose poetic sensibilities and songs of no-spiritual-surrender have earned him a cult following in the darker hollows far off the beaten path of the music business’s rushing roar. An Iowa native and former theology student, Huckfelt attended the prestigious Iowa Writers Workshop before dropping hold of academic and theoretical pursuits and turning his attention to songwriting and performing. With improvisational mastery and a stubborn insistence of remaining in the moment with his audience, Huckfelt’s folk shows have earned him a devoted following from small-town opera houses & theaters to national festival stages like Hardly Strictly Bluegrass, Edmonton and Calgary Folk Fests, and the legendary First Avenue mainroom. Sharing stages with artists as diverse as Mavis Staples, Bon Iver, Emmylou Harris, Arcade Fire, Calexico, Gregory Alan Isakov, Iris Dement & more, Huckfelt’s roots run deep as a folk singer steeped in the tradition of performing other artists’ songs. An early encounter and collaboration with legendary Native American poet John Trudell introduced Huckfelt as friend & ally to an array of Indigenous artists & activists including Keith Secola, Louise Erdrich, Winona LaDuke, Quiltman & more. He also served as musical director and performer at “Water Is Life” Music + Resistance Festival in Duluth, MN and his songs appear in the new AMC TV series “Dark Winds” produced by Robert Redford & George R.R. Martin. A founding frontman of Minneapolis indie-folk cult favorites The Pines, with roots in the same Midwestern soil that produced legendary folk singers like John Prine and Greg Brown, David's new solo work preserves a rugged optimism that blasts through layers of darkness in real time with songs that speak volumes, soft & clear.
STRANGER ANGELS - 2019
In the fall of 2017, David Huckfelt left behind the familiar—the comfort of his home in Minneapolis; the camaraderie of his critically acclaimed band, The Pines; the luxuries of heat, hot water, and electricity—and relocated to Isle Royale, America’s most remote and least visited national park in mighty Lake Superior. Six hours by boat off the Michigan coast, Isle Royale is the largest island in the world’s largest freshwater lake, an isolated stretch of wilderness seemingly forgotten by the 20th century (to say nothing of the 21st). There, as an Artist In Residence selected by the National Park Service, Huckfelt spent ten hours a day for two straight weeks writing in solitude, channeling the mysterious and lonesome island’s spirits into his stunning debut solo album, ‘Stranger Angels.’
“The island is surrounded by 300 smaller islands, decrepit lighthouses and abandoned mines, lined with shipwrecks, ghosts, and the stories of the northern Ojibway, fisherman, and early settlers,” Huckfelt reflects. “I brought a mountain of notebooks and poetry and history books with me”, says Huckfelt, “and for the first time in nearly a decade, I found the solitude, depth, range, danger, beauty, and inspiration to go all kinds of places in my writing that I hadn't had the space to visit before. With a sense of place so strong, it was less like an anchor and more like a launching pad to free up and access all kinds of places from throughout my life. It’s easy to travel anywhere in your mind in that kind of solitude, your whole experience rises up from the deep.”
Indeed, the music is both transportive and reflective, focused inwards even as it draws on an abundance of outside influence. Hypnotic banjo and gentle acoustic guitar meet trippy public domain samples and shimmering soundscapes underneath Huckfelt’s stark, raw vocals as he wrestles with questions of fate and faith, responsibility and independence, connection and loss. A thread of deep ecology runs through these songs, but not the cute bumper sticker kind, the gritty, “what-comes-next-if-we-don’t-change-our-ways” kind. “Isle Royale used to have fifty wolves in five packs…” Huckfelt says, “now there’s only one left. Cycles are cycles but it’s the height of pride to think we’re (humans) aren’t the major player.” The title track “Stranger Angels” brings this point home strongest, with the narrator longing for a place “where (he) won’t make the greedy richer”, and the fierce grip of climate change manifests in lyrics like “Wild mustangs starve in the hills outside Las Vegas… and the West is burning like a lake of fire.”
But above and beyond conservation, “Stranger Angels” is a record about “thin places”, those spiritually charged places where heaven and earth seem to meet and the veil between the world we see and the mystical world beyond becomes transparent. On the rollicking blues-carnival track “As Below, So Above” Huckfelt pays touching to tribute to his late grandmother who helped raise him in Iowa, not by writing about her, but to her, as a defiant elegy against death. A former theology student who once wrote and preached sermons in Cook County Jail in Chicago, Huckfelt has gone through the fire of the niceties and dogma of “heaven” and “god” and come out the other end with a worldview fiercely present, concrete and expansive. “Stranger Angels as a title, to me, has a thousand references to what’s left after life and death and experience and loss and love burns off all the easy answers…” says Huckfelt. “The idea of god or spirit being hidden under the opposite of what we think we know, of ancestors and spirits visiting us, screaming in our ears all day long, but we miss it because it’s different, stranger than we expected… And the kindness we give and receive from strangers, the least, last and lost among us. Our cities are overflowing with strange angels, it’s such a mistake when we think we know which or who can offer us something, and which can’t. Every spirit has something to give. Then, when I saw the night camera footage of the moose and wolves on Isle Royale, dancing in the moonlight and gracing the forest with their presence, I thought “stranger angels” indeed.”
The record also draws on deep wells of Native American tradition and spirituality, a life-long anchor for Huckfelt which has developed more fully through working with Native songwriters and poets like John Trudell, Quiltman, Keith Secola, Tom LaBlanc and more. References to the healing and prophetic prayer-visions of indigenous thought and voices are everywhere on this record, including the chilling, epic, cosmic pow-wow closing track “Star Nation”, with the authoritative voice of American Indian Movement activist & singer Floyd Red Crow Westerman leading the way. Artfully weaving the historical, the ecological, and the personal into an elegant lyrical web, these songs contain layers of surprise and richness, as in the track “Everywind” with Huckfelt turning an imagining of the life of a woman named Everywind from a vintage photograph into a ballad in celebration of all women. The elegant “Still And Still Moving” sparkles like sunlight off the waters of Lake Superior as it ponders mortality and the impermanence of everything around us. “False True Lover Blues” stands as a gut punch at the precise place where a broken heart starts to mend, while “You Get Got” starts with notes Huckfelt took of his grandparents talking in bed after sixty-four years of marriage, and travels in a country-waltz fashion into the political and the universal with some help from guest vocalist Erik Koskinen.
When it was time to record the songs from Isle Royale, Huckfelt again sought geographic isolation, working out of a 110-year-old farmhouse studio in Menomonie, Wisconsin. This time, however, he chose to surround himself with fellow artists, assembling a dream team of musicians including drummer/co-producer J.T. Bates (Andrew Bird, Mason Jennings), bassist Darin Gray (Tweedy, William Tyler), and guitarists Michael Rossetto, Erik Koskinen, and Jeremy Ylvisaker, cutting sixteen songs in just three days. Very special guests rallied to Huckfelt’s side, including spectacular performances by Sylvan Esso’s Amelia Meath on “Heart, Wherever”, “Everywind” and “Stranger Angels”, Trampled By Turtles’ Dave Simonett singing harmony vocals on multiple tracks. Recorded and mixed by engineer-extraordinaire Adam Krinsky (Bellows Studio) the album captures the magic and spontaneity of a gifted band discovering the beauty and brilliance of the songs and each other all at once. Other stellar appearances include gospel-blues master Phil Cook on Hammond organ, while electronic musician and sample wizard Andrew Broder (Fog) haunts the tracks with the sparse, mercurial public domain samples of old-world Americana, as if these songs were coming through a Ham radio in an old ghost town.
‘Stranger Angels’ follows Huckfelt’s latest album with The Pines, 2016’s ‘Above The Prairie.’ Hailed by No Depression as “dazzling,” drawing the attention of Rolling Stone’s David Fricke who called The Pines “poignant stark country” and earning high praise in both the US and Europe, with Mojo calling it “their most beautiful yet” and Minnesota NPR station The Current raving that it “hits so close to the gut that it reminds us that they are truly a singular band.